troubling research
performing knowledge in the arts
Skip to content
  • about
    • about – long version
  • authors & threads
    • Gangart – coop. cooperations across borderlines
    • Johanna Schaffer – what is it that makes research in the arts so different, so appealing?
      • interview ausschnitte
      • interview excerpts english
      • download interview booklet
    • Johannes Porsch – Observers and Messengers
    • Stefanie Seibold – The (re-)staging of past avant-gardes and text/image installations
    • Tom Holert – Research as a Mode of Operation
      • bio
    • Axel Stockburger – Language-based Expert Knowledge in Contemporary Mass Media Narrative Franchises
    • Carola Dertnig – Dance, Reports, Happenings and other Things
      • bio
    • Diedrich Diederichsen – ReSearch & Destroy
  • links
  • impressum
  • events
    • events
  • downloads

Tag Archives: ambivalence

Artistic Research: Anatomy of an Ascent

By tom holert | Published: September 14, 2011
by Tom Holert, Published in Texte Zur Kunst - Issue Nr. 82 / June 2011 "Artistic Research"
Posted in Research as a Mode of Operation, unthreaded | Also tagged archive stagings, archives, artistic research, deistituzionalizzazione, drawings and diagrams, epistemic politics, Holert, multilingual, Re-Search and Destroy, the form of theory | Comments closed

Audio: Adrian Rifkin – Imperfecting Practice, Implicating Theory

By tom holert | Published: May 31, 2011
Part 1: Part 2 : 13.04.2011, 7 p.m. DG14/Turm 4 (top floor, then go up the staircase by room 214) Academy of Fine Arts Vienna, Schillerplatz 3, 1010 Vienna Lecture held in English, presented and hosted by “Troubling Research. Performing Knowledge in the Arts”, a research project funded by WWTF Art(s) & Sciences and based *** read more ***
Posted in Research as a Mode of Operation, unthreaded | Also tagged Adrian Rifkin, appropriation, archives, artistic research, by law, collaboration, collage, deistituzionalizzazione, epistemic politics, Holert, The Crying Commodity, the form of theory | Comments closed

Ready-made Score 4

By Johannes Porsch | Published: May 23, 2011
read more
Posted in Observers and Messengers, unthreaded | Also tagged multilingual, Porsch, Ready-made Score (1=2), research/ teaching/ performative art, thankyou, miss you, The Crying Commodity, troubling | Comments closed

Interview Ausschnitt: Johannes Porsch

By Johanna Schaffer | Published: February 25, 2011
JS: Was findest Du für deine eigene Praxis am Begriff artistic research hilfreich, was nicht? Johannes Porsch: Schwierig. Ich glaube hilfreich ist und eine Chance eröffnet, dass dies ein Begriff ist, der fortwährender Erklärung bedarf. Damit bietet die Teilnahme an einem Projekt rund um artistic research durch die Arbeit an der Klärung auch die Möglichkeit *** read more ***
Posted in interviews, unthreaded | Also tagged appropriation, archives, artistic research, Bad Hand, collaboration, collage, deistituzionalizzazione, epistemic politics, multilingual, Porsch, Ready-made Score (1=2), Schaffer, the form of theory | Comments closed

coop. cooperations across borderlines

By gangart | Published: February 24, 2011
Die im Folgenden kurz gefaßte Darstellung beschreibt einerseits den Kontext eines historischen Moments in der Entwicklung der Psychiatrie – die Um- und Durchsetzung der Konzepte einer demokratischen Psychiatrie im Italien der 1970er Jahre – und die groben biographischen Linien des Künstlers Ugo Guarino, der zwischen 1972 und 78 mit seiner Arbeit einen Beitrag zu ebendiesem *** read more ***
Posted in Gangart, unthreaded | Also tagged archives, artistic research, Bad Hand, by law, collaboration, deistituzionalizzazione, drawings and diagrams, epistemic politics, Gangart, mnemosyne, multilingual, Psychedelia und Readymade, Re-Search and Destroy, thankyou, miss you, The Crying Commodity, troubling, Ugo Guarino, visual narratives, while drawing | Comments closed

Interview Ausschnitt: Tom Holert

By Johanna Schaffer | Published: February 20, 2011
JS: Mein eigenes Verhältnis zum Begriff ‘künstlerische Forschung’ ist aufgrund der Art, wie dieser Begriff gegenwärtig institutionell beschäftigt wird, eher ambivalent. Gleichzeitig interessiert mich, wie das, was sich als Bezeichnung für einen sehr grundlegenden Bestandteil künstlerischer oder gestalterischer oder auch produktiver Arbeit verstehen läßt,  zunehmend verengt und auch instrumentalisiert wird in einem Zusammenhang, dem es *** read more ***
Posted in interviews, unthreaded | Also tagged archives, artistic research, collaboration, deistituzionalizzazione, epistemic politics, Holert, research/ teaching/ performative art, Schaffer, The Crying Commodity, the form of theory, troubling, visual narratives | Comments closed

  • Tags

    • Re-Search and Destroy (7)
    • The Crying Commodity (8)
    • Jack! (2)
    • appropriation (9)
    • ambivalence (6)
    • thankyou (1)
    • archives (12)
    • Psychedelia und Readymade (5)
    • Adrian Rifkin (1)
    • collaboration (20)
    • Simone Forti (2)
    • drawings and diagrams (7)
    • collage (7)
    • Ugo Guarino (1)
    • Holert (9)
    • Gina Pane (2)
    • konkrete poesie (5)
    • thankyou, miss you (6)
    • Four of a Kind (1)
    • by law (6)
    • convergence culture (5)
    • while drawing (7)
    • global narrative franchises (4)
    • archive stagings (9)
    • Schaffer (8)
    • Stockburger (6)
    • the form of theory (18)
    • Bad Hand (9)
    • artistic research (17)
    • visual narratives (15)
    • deistituzionalizzazione (15)
    • sheikh (1)
    • cosplay (4)
    • multilingual (8)
    • Porsch (10)
    • mnemosyne (7)
    • Armin Medosch (1)
    • audio (2)
    • Gangart (3)
    • Diederichsen (3)
    • Seibold (3)
    • The Inner Light (4)
    • Dertnig (4)
    • research/ teaching/ performative art (13)
    • epistemic politics (18)
    • miss you (1)
    • Ready-made Score (1=2) (9)
    • troubling (10)

  • Meta

    • Log in
...