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performing knowledge in the arts
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Tag Archives: appropriation

Audio: Adrian Rifkin – Imperfecting Practice, Implicating Theory

By tom holert | Published: May 31, 2011
Part 1: Part 2 : 13.04.2011, 7 p.m. DG14/Turm 4 (top floor, then go up the staircase by room 214) Academy of Fine Arts Vienna, Schillerplatz 3, 1010 Vienna Lecture held in English, presented and hosted by “Troubling Research. Performing Knowledge in the Arts”, a research project funded by WWTF Art(s) & Sciences and based *** read more ***
Posted in Research as a Mode of Operation, unthreaded | Also tagged Adrian Rifkin, ambivalence, archives, artistic research, by law, collaboration, collage, deistituzionalizzazione, epistemic politics, Holert, The Crying Commodity, the form of theory | Comments closed

This Sentence is Now Being Performed – Research and Teaching in Performative Art

By Carola Dertnig | Published: May 24, 2011
Symposium homepage : http://blogs.akbild.ac.at/performancesymposium/
Posted in Dance, Reports, Happenings and other Things, unthreaded | Also tagged archive stagings, Bad Hand, collaboration, collage, convergence culture, deistituzionalizzazione, Dertnig, epistemic politics, konkrete poesie, research/ teaching/ performative art, Simone Forti, thankyou, miss you, troubling, visual narratives | Comments closed

Le Facteur de la Verité

By Johannes Porsch | Published: May 23, 2011
Posted in Observers and Messengers, unthreaded | Also tagged Bad Hand, Jack!, Porsch, Psychedelia und Readymade, The Crying Commodity, The Inner Light, troubling, visual narratives | Comments closed

Ready made-Score 7

By Johannes Porsch | Published: May 22, 2011
Held as part of the exhibition unExhibit, the performance The Purloined Letter repeats a scene captured in photographs documenting another performance: A Steven Paxton Dance Workshop at Intermedia, Beatty Street, Vancouver, CA, March 31, 1969. The point of departure for that workshop Paxton held at Intermedia with forty-eight laypeople was the 1967 performance The Stand/The *** read more ***
Posted in Observers and Messengers, unthreaded | Also tagged archive stagings, archives, artistic research, by law, collaboration, Porsch, Ready-made Score (1=2), research/ teaching/ performative art, The Crying Commodity, visual narratives | Comments closed

Matt und schlapp wie Schnee

By Stefanie Seibold | Published: May 8, 2011
Dieser Forschungs-Beitrag zum Gesamtprojekt Troubling Research befasst sich zentral mit der Frage nach (Bild-)Archiven, deren Zugänglichmachung bzw. Deutung ihrer Inhalte und der Bedeutungsproduktion durch Auswahl, Display und Installation. Ausgehend von einer Recherche zu den Performance-Arbeiten von Gina Pane nimmt die Technik der künstlerischen Aneignung und die Frage nach der Relevanz einer Re-performance von Gesten historischer *** read more ***
Posted in The (re-)staging of past avant-gardes and text/image installations, unthreaded | Also tagged archive stagings, archives, collaboration, drawings and diagrams, Gina Pane, mnemosyne, research/ teaching/ performative art, the form of theory, visual narratives | Comments closed

Interview Ausschnitt: Johannes Porsch

By Johanna Schaffer | Published: February 25, 2011
JS: Was findest Du für deine eigene Praxis am Begriff artistic research hilfreich, was nicht? Johannes Porsch: Schwierig. Ich glaube hilfreich ist und eine Chance eröffnet, dass dies ein Begriff ist, der fortwährender Erklärung bedarf. Damit bietet die Teilnahme an einem Projekt rund um artistic research durch die Arbeit an der Klärung auch die Möglichkeit *** read more ***
Posted in interviews, unthreaded | Also tagged ambivalence, archives, artistic research, Bad Hand, collaboration, collage, deistituzionalizzazione, epistemic politics, multilingual, Porsch, Ready-made Score (1=2), Schaffer, the form of theory | Comments closed

artistic research quotes

By tom holert | Published: February 25, 2011
Allan Kaprow “Allan Kaprow has been preaching since 1964 that pure research should be propelled in art and art education like it is in any other academic field, and avant guarde-think-tank should be mobilized to vitalize the often too cautious academic community. […] Kaprow’s far-sight to modulate the avant guarde invention into the ‘outer space’ *** read more ***
Posted in Research as a Mode of Operation, unthreaded | Also tagged archives, artistic research, collaboration, deistituzionalizzazione, epistemic politics, Holert, mnemosyne, Psychedelia und Readymade, Re-Search and Destroy, the form of theory, The Inner Light, troubling | Comments closed

Research in China – WUXIA

By axel stockburger | Published: February 23, 2011
Between October and December 2010 I was awarded an artist residency by the b:mukk in Chengdu, China. Studio Chengdu, Sichuan, China WUXIA Initially i asked myself whether it would be possible to identify narratives or media franchises that originated in China and would feed back into the global film or game universe. I began to *** read more ***
Posted in Language-based Expert Knowledge in Contemporary Mass Media Narrative Franchises, unthreaded | Also tagged convergence culture, cosplay, drawings and diagrams, global narrative franchises, multilingual, Stockburger, The Crying Commodity, visual narratives | Comments closed

Research in China 2 – COSPLAY

By axel stockburger | Published: February 23, 2011
At first I came in contact with organised cosplayers in China at the new campus of Chengdu`s Jiatong University when i attended a convention in November 2010. I was told that the South Jiatong University would be harboring a group of cosplayers who were among others, making costumes and impersonating characters derived from Wuxia influenced *** read more ***
Posted in Language-based Expert Knowledge in Contemporary Mass Media Narrative Franchises, unthreaded | Also tagged Bad Hand, convergence culture, cosplay, global narrative franchises, multilingual, Stockburger, visual narratives | Comments closed

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