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Category Archives: Observers and Messengers

Le Facteur de la Verité

By Johannes Porsch | Published: May 23, 2011
Also posted in unthreaded | Tagged appropriation, Bad Hand, Jack!, Porsch, Psychedelia und Readymade, The Crying Commodity, The Inner Light, troubling, visual narratives | Comments closed

Ready-made Score 1

By Johannes Porsch | Published: May 23, 2011
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Also posted in unthreaded | Tagged Bad Hand, konkrete poesie, Porsch, Ready-made Score (1=2), thankyou, miss you, the form of theory, while drawing | Comments closed

Ready-made Score 2

By Johannes Porsch | Published: May 23, 2011
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Also posted in unthreaded | Tagged Bad Hand, konkrete poesie, Porsch, Ready-made Score (1=2), thankyou, miss you, the form of theory, while drawing | Comments closed

Ready-made Score 3

By Johannes Porsch | Published: May 23, 2011
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Also posted in unthreaded | Tagged archive stagings, artistic research, by law, collaboration, cosplay, drawings and diagrams, epistemic politics, Four of a Kind, Jack!, konkrete poesie, mnemosyne, Porsch, Ready-made Score (1=2), research/ teaching/ performative art, the form of theory, visual narratives, while drawing | Comments closed

Ready-made Score 4

By Johannes Porsch | Published: May 23, 2011
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Also posted in unthreaded | Tagged ambivalence, multilingual, Porsch, Ready-made Score (1=2), research/ teaching/ performative art, thankyou, miss you, The Crying Commodity, troubling | Comments closed

Ready-made Score 5

By Johannes Porsch | Published: May 23, 2011
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Also posted in unthreaded | Tagged artistic research, Bad Hand, collaboration, deistituzionalizzazione, epistemic politics, konkrete poesie, Porsch, Ready-made Score (1=2), research/ teaching/ performative art, thankyou, miss you, the form of theory | Comments closed

Ready-made Score 6

By Johannes Porsch | Published: May 23, 2011
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Also posted in unthreaded | Tagged archive stagings, Bad Hand, Porsch, Ready-made Score (1=2), research/ teaching/ performative art, the form of theory | Comments closed

Ready made-Score 7

By Johannes Porsch | Published: May 22, 2011
Held as part of the exhibition unExhibit, the performance The Purloined Letter repeats a scene captured in photographs documenting another performance: A Steven Paxton Dance Workshop at Intermedia, Beatty Street, Vancouver, CA, March 31, 1969. The point of departure for that workshop Paxton held at Intermedia with forty-eight laypeople was the 1967 performance The Stand/The *** read more ***
Also posted in unthreaded | Tagged appropriation, archive stagings, archives, artistic research, by law, collaboration, Porsch, Ready-made Score (1=2), research/ teaching/ performative art, The Crying Commodity, visual narratives | Comments closed

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