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Tag Archives: Ready-made Score (1=2)

Ready-made Score 1

By Johannes Porsch | Published: May 23, 2011
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Posted in Observers and Messengers, unthreaded | Also tagged Bad Hand, konkrete poesie, Porsch, thankyou, miss you, the form of theory, while drawing | Comments closed

Ready-made Score 2

By Johannes Porsch | Published: May 23, 2011
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Posted in Observers and Messengers, unthreaded | Also tagged Bad Hand, konkrete poesie, Porsch, thankyou, miss you, the form of theory, while drawing | Comments closed

Ready-made Score 3

By Johannes Porsch | Published: May 23, 2011
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Posted in Observers and Messengers, unthreaded | Also tagged archive stagings, artistic research, by law, collaboration, cosplay, drawings and diagrams, epistemic politics, Four of a Kind, Jack!, konkrete poesie, mnemosyne, Porsch, research/ teaching/ performative art, the form of theory, visual narratives, while drawing | Comments closed

Ready-made Score 4

By Johannes Porsch | Published: May 23, 2011
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Posted in Observers and Messengers, unthreaded | Also tagged ambivalence, multilingual, Porsch, research/ teaching/ performative art, thankyou, miss you, The Crying Commodity, troubling | Comments closed

Ready-made Score 5

By Johannes Porsch | Published: May 23, 2011
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Posted in Observers and Messengers, unthreaded | Also tagged artistic research, Bad Hand, collaboration, deistituzionalizzazione, epistemic politics, konkrete poesie, Porsch, research/ teaching/ performative art, thankyou, miss you, the form of theory | Comments closed

Ready-made Score 6

By Johannes Porsch | Published: May 23, 2011
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Posted in Observers and Messengers, unthreaded | Also tagged archive stagings, Bad Hand, Porsch, research/ teaching/ performative art, the form of theory | Comments closed

Ready made-Score 7

By Johannes Porsch | Published: May 22, 2011
Held as part of the exhibition unExhibit, the performance The Purloined Letter repeats a scene captured in photographs documenting another performance: A Steven Paxton Dance Workshop at Intermedia, Beatty Street, Vancouver, CA, March 31, 1969. The point of departure for that workshop Paxton held at Intermedia with forty-eight laypeople was the 1967 performance The Stand/The *** read more ***
Posted in Observers and Messengers, unthreaded | Also tagged appropriation, archive stagings, archives, artistic research, by law, collaboration, Porsch, research/ teaching/ performative art, The Crying Commodity, visual narratives | Comments closed

ReSearch and Destroy

By Diedrich Diederichsen | Published: March 10, 2011
The  Punk-Fanzine “Search & Destroy”, named after a song by Iggy & the Stooges, articulated not only a barbaric method used by the US military during the Vietnam war, but involuntarily also an epistemological concept. According to Popper’s Logic of Research, fallibility remains the key criterion of a discursive status that can be honored as *** read more ***
Posted in ReSearch & Destroy, unthreaded | Also tagged archives, deistituzionalizzazione, Diederichsen, epistemic politics, Psychedelia und Readymade, Re-Search and Destroy, The Crying Commodity, The Inner Light, visual narratives | Comments closed

Interview Ausschnitt: Johannes Porsch

By Johanna Schaffer | Published: February 25, 2011
JS: Was findest Du für deine eigene Praxis am Begriff artistic research hilfreich, was nicht? Johannes Porsch: Schwierig. Ich glaube hilfreich ist und eine Chance eröffnet, dass dies ein Begriff ist, der fortwährender Erklärung bedarf. Damit bietet die Teilnahme an einem Projekt rund um artistic research durch die Arbeit an der Klärung auch die Möglichkeit *** read more ***
Posted in interviews, unthreaded | Also tagged ambivalence, appropriation, archives, artistic research, Bad Hand, collaboration, collage, deistituzionalizzazione, epistemic politics, multilingual, Porsch, Schaffer, the form of theory | Comments closed

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