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performing knowledge in the arts
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Tag Archives: research/ teaching/ performative art

This Sentence is Now Being Performed – Research and Teaching in Performative Art

By Carola Dertnig | Published: May 24, 2011
Symposium homepage : http://blogs.akbild.ac.at/performancesymposium/
Posted in Dance, Reports, Happenings and other Things, unthreaded | Also tagged appropriation, archive stagings, Bad Hand, collaboration, collage, convergence culture, deistituzionalizzazione, Dertnig, epistemic politics, konkrete poesie, Simone Forti, thankyou, miss you, troubling, visual narratives | Comments closed

Simone Forti Workshop

By Carola Dertnig | Published: May 24, 2011
Julischka’s Story from troublingresearch on Vimeo.
Posted in Dance, Reports, Happenings and other Things, unthreaded | Also tagged archive stagings, Dertnig, Simone Forti, the form of theory, The Inner Light, visual narratives | Comments closed

project images

By Stefanie Seibold | Published: May 23, 2011
Posted in The (re-)staging of past avant-gardes and text/image installations, unthreaded | Also tagged archive stagings, collaboration, drawings and diagrams, Gina Pane, Seibold, the form of theory, visual narratives, while drawing | Comments closed

Ready-made Score 3

By Johannes Porsch | Published: May 23, 2011
read more
Posted in Observers and Messengers, unthreaded | Also tagged archive stagings, artistic research, by law, collaboration, cosplay, drawings and diagrams, epistemic politics, Four of a Kind, Jack!, konkrete poesie, mnemosyne, Porsch, Ready-made Score (1=2), the form of theory, visual narratives, while drawing | Comments closed

Ready-made Score 4

By Johannes Porsch | Published: May 23, 2011
read more
Posted in Observers and Messengers, unthreaded | Also tagged ambivalence, multilingual, Porsch, Ready-made Score (1=2), thankyou, miss you, The Crying Commodity, troubling | Comments closed

Ready-made Score 5

By Johannes Porsch | Published: May 23, 2011
read more
Posted in Observers and Messengers, unthreaded | Also tagged artistic research, Bad Hand, collaboration, deistituzionalizzazione, epistemic politics, konkrete poesie, Porsch, Ready-made Score (1=2), thankyou, miss you, the form of theory | Comments closed

Ready-made Score 6

By Johannes Porsch | Published: May 23, 2011
read more
Posted in Observers and Messengers, unthreaded | Also tagged archive stagings, Bad Hand, Porsch, Ready-made Score (1=2), the form of theory | Comments closed

Ready made-Score 7

By Johannes Porsch | Published: May 22, 2011
Held as part of the exhibition unExhibit, the performance The Purloined Letter repeats a scene captured in photographs documenting another performance: A Steven Paxton Dance Workshop at Intermedia, Beatty Street, Vancouver, CA, March 31, 1969. The point of departure for that workshop Paxton held at Intermedia with forty-eight laypeople was the 1967 performance The Stand/The *** read more ***
Posted in Observers and Messengers, unthreaded | Also tagged appropriation, archive stagings, archives, artistic research, by law, collaboration, Porsch, Ready-made Score (1=2), The Crying Commodity, visual narratives | Comments closed

Matt und schlapp wie Schnee

By Stefanie Seibold | Published: May 8, 2011
Dieser Forschungs-Beitrag zum Gesamtprojekt Troubling Research befasst sich zentral mit der Frage nach (Bild-)Archiven, deren Zugänglichmachung bzw. Deutung ihrer Inhalte und der Bedeutungsproduktion durch Auswahl, Display und Installation. Ausgehend von einer Recherche zu den Performance-Arbeiten von Gina Pane nimmt die Technik der künstlerischen Aneignung und die Frage nach der Relevanz einer Re-performance von Gesten historischer *** read more ***
Posted in The (re-)staging of past avant-gardes and text/image installations, unthreaded | Also tagged appropriation, archive stagings, archives, collaboration, drawings and diagrams, Gina Pane, mnemosyne, the form of theory, visual narratives | Comments closed

Research as a Mode of Operation: Knowledge Production and (Self)Empowerment in an Art Historical Perspective

By tom holert | Published: February 25, 2011
The current discourse about research in the arts suspiciously lacks almost any historical perspective, as if the contemporary situation were unprecedented. Arguably, this apparent lack provides the proponents of the research-driven art university with the authority of an academic (and quintessentially Western) research ethics and imbues them with the status of inventors of a ‘new’ *** read more ***
Posted in Research as a Mode of Operation, unthreaded | Also tagged artistic research, collaboration, collage, deistituzionalizzazione, drawings and diagrams, epistemic politics, Holert, mnemosyne, Re-Search and Destroy, the form of theory, troubling, while drawing | Comments closed

Interview Ausschnitt: Gangart

By Johanna Schaffer | Published: February 24, 2011
Simonetta Ferfoglia (gangart): Wenn ich an unser Projekt in Georgien denke – und dort ist schon auch ein Vakuum vorhanden, dann glaube ich doch, dass manche Situationen in diesem Vakuum leichter entstehen können. Manchmal gibt es mehr Platz, wenn sich nicht alles um Interessens- und Machtkämpfe dreht und nicht immer alle einen Raum füllen mit *** read more ***
Posted in interviews, unthreaded | Also tagged archives, artistic research, by law, collaboration, collage, deistituzionalizzazione, epistemic politics, Gangart, miss you, Schaffer, thankyou | Comments closed

Interview Ausschnitt: Tom Holert

By Johanna Schaffer | Published: February 20, 2011
JS: Mein eigenes Verhältnis zum Begriff ‘künstlerische Forschung’ ist aufgrund der Art, wie dieser Begriff gegenwärtig institutionell beschäftigt wird, eher ambivalent. Gleichzeitig interessiert mich, wie das, was sich als Bezeichnung für einen sehr grundlegenden Bestandteil künstlerischer oder gestalterischer oder auch produktiver Arbeit verstehen läßt,  zunehmend verengt und auch instrumentalisiert wird in einem Zusammenhang, dem es *** read more ***
Posted in interviews, unthreaded | Also tagged ambivalence, archives, artistic research, collaboration, deistituzionalizzazione, epistemic politics, Holert, Schaffer, The Crying Commodity, the form of theory, troubling, visual narratives | Comments closed

Interview Ausschnitt: Stefanie Seibold

By Johanna Schaffer | Published: February 20, 2011
JS:   Was machst du mit dem Begriff ‘künstlerische Forschung’ oder ‘artistic research’?Bringt er dir was? Verwendest du ihn für deine eigene Praxis? Stefanie Seibold: Für meine eigene Praxis finde ich ihn nicht sinnvoll. Für das Zusammenfinden einer solchen Gruppe wie der unseren, die sich als Forschungsgruppe versteht, finde ich hilfreich, sich an gewisse… aber das *** read more ***
Posted in interviews, unthreaded | Also tagged archive stagings, archives, artistic research, collaboration, collage, deistituzionalizzazione, epistemic politics, Schaffer, Seibold, visual narratives, while drawing | Comments closed

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