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Tag Archives: Stockburger

COSPLAY — EMBODIED KNOWLEDGE

By axel stockburger | Published: April 13, 2012
“What is society? I have answered: Society is imitation”[1] Gabriel Tarde The text you are about to read accompanies an artistic research project that belongs to a wider investigation into the complex field of relations between theoretical and artistic production. Thus it seems necessary to clarify its status in relation to the works of art *** read more ***
Posted in Language-based Expert Knowledge in Contemporary Mass Media Narrative Franchises | Also tagged cosplay | Comments closed

What is it that makes research in the arts so different, so appealing?

By Johanna Schaffer | Published: February 25, 2011
Johanna Schaffer’s thematic thread investigates the research habits and practices of the project workers involved in Troubling Research. Based on a series of interviews to be edited for publication, it focuses on the collaborators’ ideas concerning their own research practices. It will use the practices and practitioners involved in Troubling Research as exemplary for a *** read more ***
Posted in What is it..., unthreaded | Also tagged artistic research, collaboration, Dertnig, Diederichsen, epistemic politics, Gangart, Holert, Porsch, Schaffer, Seibold, the form of theory, troubling | Comments closed

Research in China – WUXIA

By axel stockburger | Published: February 23, 2011
Between October and December 2010 I was awarded an artist residency by the b:mukk in Chengdu, China. Studio Chengdu, Sichuan, China WUXIA Initially i asked myself whether it would be possible to identify narratives or media franchises that originated in China and would feed back into the global film or game universe. I began to *** read more ***
Posted in Language-based Expert Knowledge in Contemporary Mass Media Narrative Franchises, unthreaded | Also tagged appropriation, convergence culture, cosplay, drawings and diagrams, global narrative franchises, multilingual, The Crying Commodity, visual narratives | Comments closed

Research in China 2 – COSPLAY

By axel stockburger | Published: February 23, 2011
At first I came in contact with organised cosplayers in China at the new campus of Chengdu`s Jiatong University when i attended a convention in November 2010. I was told that the South Jiatong University would be harboring a group of cosplayers who were among others, making costumes and impersonating characters derived from Wuxia influenced *** read more ***
Posted in Language-based Expert Knowledge in Contemporary Mass Media Narrative Franchises, unthreaded | Also tagged appropriation, Bad Hand, convergence culture, cosplay, global narrative franchises, multilingual, visual narratives | Comments closed

Language-based expert knowledge in contemporary mass media narrative franchises

By axel stockburger | Published: February 23, 2011
Axel Stockburger’s current artistic work is focused on contemporary mass media narrative franchises such as the Harry Potter series, Pokémon or Lord of the Rings. Stockburger is fascinated with the global reach of these fabricated mythological universes and especially with their capacity to translate into and adapt to a variety of specific local settings. At *** read more ***
Posted in Language-based Expert Knowledge in Contemporary Mass Media Narrative Franchises, unthreaded | Also tagged convergence culture, global narrative franchises, multilingual, visual narratives | Comments closed

Interview Ausschnitt: Axel Stockburger

By Johanna Schaffer | Published: February 20, 2011
JS:   Du hast erwähnt, dass Du mit dem Feld des artistic research als einem institutionellen Feld über den Weg nach London zu tun bekommen hast. AXEL STOCKBURGER:   Das ist alles sehr zufällig geschehen. Meine damalige Lebensgefährtin wollte selbst einen PhD machen, aber in einem theoretischen Feld – sie hat sich mit Informationsarchitektur und information sciences *** read more ***
Posted in interviews, unthreaded | Also tagged collaboration, convergence culture, deistituzionalizzazione, epistemic politics, global narrative franchises, Schaffer, the form of theory, visual narratives | Comments closed
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