troubling research
performing knowledge in the arts
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Tag Archives: troubling

Audio: Michelle Kuo: Research and Development. Experiments in Art and Technology

By tom holert | Published: June 9, 2011
Michelle Kuo (New York): Research and Development. Experiments in Art and Technology, 1966ff. Lecture Audio: Lecture (on invitation by Tom Holert), June 22, 2010, 7 p.m. Academy of Fine Arts Vienna Room M20 Schillerplatz 3 A-1010 Vienna “Art” and “research” have, throughout modernity, been divided—one aesthetic, the other technological; one autonomous, the other applied.  But in *** read more ***
Posted in Research as a Mode of Operation, unthreaded | Also tagged artistic research, audio, collaboration, epistemic politics, Holert, the form of theory | Comments closed

This Sentence is Now Being Performed – Research and Teaching in Performative Art

By Carola Dertnig | Published: May 24, 2011
Symposium homepage : http://blogs.akbild.ac.at/performancesymposium/
Posted in Dance, Reports, Happenings and other Things, unthreaded | Also tagged appropriation, archive stagings, Bad Hand, collaboration, collage, convergence culture, deistituzionalizzazione, Dertnig, epistemic politics, konkrete poesie, research/ teaching/ performative art, Simone Forti, thankyou, miss you, visual narratives | Comments closed

Le Facteur de la Verité

By Johannes Porsch | Published: May 23, 2011
Posted in Observers and Messengers, unthreaded | Also tagged appropriation, Bad Hand, Jack!, Porsch, Psychedelia und Readymade, The Crying Commodity, The Inner Light, visual narratives | Comments closed

Ready-made Score 4

By Johannes Porsch | Published: May 23, 2011
read more
Posted in Observers and Messengers, unthreaded | Also tagged ambivalence, multilingual, Porsch, Ready-made Score (1=2), research/ teaching/ performative art, thankyou, miss you, The Crying Commodity | Comments closed

Audio: Simon Sheikh: A Conceptual History of Exhibition-making

By tom holert | Published: May 21, 2011
Simon Sheikh (Berlin/Malmö): A Conceptual History of Exhibition-making Lecture Audio: Lecture (on invitation by Tom Holert), May 6, 2010, 7 p.m. Academy of Fine Arts Vienna Room M13 Schillerplatz 3 Since 1989, we have not only seen (geo)political and cultural changes in Europe, former west and east alike, but also a renewed interest in the *** read more ***
Posted in Research as a Mode of Operation, unthreaded | Also tagged archives, artistic research, audio, deistituzionalizzazione, epistemic politics, Holert, sheikh, the form of theory | Comments closed

What is it that makes research in the arts so different, so appealing?

By Johanna Schaffer | Published: February 25, 2011
Johanna Schaffer’s thematic thread investigates the research habits and practices of the project workers involved in Troubling Research. Based on a series of interviews to be edited for publication, it focuses on the collaborators’ ideas concerning their own research practices. It will use the practices and practitioners involved in Troubling Research as exemplary for a *** read more ***
Posted in What is it..., unthreaded | Also tagged artistic research, collaboration, Dertnig, Diederichsen, epistemic politics, Gangart, Holert, Porsch, Schaffer, Seibold, Stockburger, the form of theory | Comments closed

artistic research quotes

By tom holert | Published: February 25, 2011
Allan Kaprow “Allan Kaprow has been preaching since 1964 that pure research should be propelled in art and art education like it is in any other academic field, and avant guarde-think-tank should be mobilized to vitalize the often too cautious academic community. […] Kaprow’s far-sight to modulate the avant guarde invention into the ‘outer space’ *** read more ***
Posted in Research as a Mode of Operation, unthreaded | Also tagged appropriation, archives, artistic research, collaboration, deistituzionalizzazione, epistemic politics, Holert, mnemosyne, Psychedelia und Readymade, Re-Search and Destroy, the form of theory, The Inner Light | Comments closed

Research as a Mode of Operation: Knowledge Production and (Self)Empowerment in an Art Historical Perspective

By tom holert | Published: February 25, 2011
The current discourse about research in the arts suspiciously lacks almost any historical perspective, as if the contemporary situation were unprecedented. Arguably, this apparent lack provides the proponents of the research-driven art university with the authority of an academic (and quintessentially Western) research ethics and imbues them with the status of inventors of a ‘new’ *** read more ***
Posted in Research as a Mode of Operation, unthreaded | Also tagged artistic research, collaboration, collage, deistituzionalizzazione, drawings and diagrams, epistemic politics, Holert, mnemosyne, Re-Search and Destroy, research/ teaching/ performative art, the form of theory, while drawing | Comments closed

coop. cooperations across borderlines

By gangart | Published: February 24, 2011
Die im Folgenden kurz gefaßte Darstellung beschreibt einerseits den Kontext eines historischen Moments in der Entwicklung der Psychiatrie – die Um- und Durchsetzung der Konzepte einer demokratischen Psychiatrie im Italien der 1970er Jahre – und die groben biographischen Linien des Künstlers Ugo Guarino, der zwischen 1972 und 78 mit seiner Arbeit einen Beitrag zu ebendiesem *** read more ***
Posted in Gangart, unthreaded | Also tagged ambivalence, archives, artistic research, Bad Hand, by law, collaboration, deistituzionalizzazione, drawings and diagrams, epistemic politics, Gangart, mnemosyne, multilingual, Psychedelia und Readymade, Re-Search and Destroy, thankyou, miss you, The Crying Commodity, Ugo Guarino, visual narratives, while drawing | Comments closed

Interview Ausschnitt: Tom Holert

By Johanna Schaffer | Published: February 20, 2011
JS: Mein eigenes Verhältnis zum Begriff ‘künstlerische Forschung’ ist aufgrund der Art, wie dieser Begriff gegenwärtig institutionell beschäftigt wird, eher ambivalent. Gleichzeitig interessiert mich, wie das, was sich als Bezeichnung für einen sehr grundlegenden Bestandteil künstlerischer oder gestalterischer oder auch produktiver Arbeit verstehen läßt,  zunehmend verengt und auch instrumentalisiert wird in einem Zusammenhang, dem es *** read more ***
Posted in interviews, unthreaded | Also tagged ambivalence, archives, artistic research, collaboration, deistituzionalizzazione, epistemic politics, Holert, research/ teaching/ performative art, Schaffer, The Crying Commodity, the form of theory, visual narratives | Comments closed

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